Combat

Page 2

To the page on Drilling and Formation

From the desk of Edward:

(being of the Magnus' U.K. mentor)

...Actually, our fighting is less scripted than you may think . The Viking system is basically attempting to hit your opponent on the torso and upper legs. Shots to the back should avoid the spine and kidneys, preferably being a healthy slap to the rump! Weapons like spears are to torso only. NO HEAD SHOTS. With this system in place, a hit is a hit and who ever is best is left standing. This is how we train all year. However, competitive fighting like this can result in cunning flicks of the sword which though skillful, do not register to the public. We have to think about putting on a show too, so fighting becomes somewhat larger than life, with much shouting, clanging and breaking of shields. Blows are 'pulled' before contact is made, thus decelerating and lessening the blow. With time and practice this gets easier, so its the new guys who tend to give us bruises the most. The weapons are of course steel, and do not have sharp edges! Before each fight they are checked by the safety officers for burs or nicks from previous engagements.

In the medieval scene, ( getting to your point) we do not need to be so skillful. Some guys are indeed very good at their chosen weapon, but usually in a show we clash, pull back, clash again, take on some water, clash in a slightly different way and then people on the loosing side and maybe some well spirited or plain exhausted attackers take their hits and 'die'. ....

Hitting is harder in the Medieval scene, so the kit is not just for effect. Of course, the more armour people have the harder folk tend to wade into them. Technically we are still considerate to one another and are not 'full contact' fighters. Head shots are still taboo.....

The end shot of this waffle is that to accurately portray fighting of the period we feel a system must be in place. There is nothing worse than seeing folk all kitted up and then facing each other 'tick tocking' ( this is the kids way of holding swords at 45degrees and tapping on alternate sides) like an old Errol Flynn movie. The more realistic way, of actually trying to hit the sod without getting hit back means that your armour and techniques reflect the original. You look at old paintings etc and see what they were trying to do. You can see why an aspect of kit worked, or was dropped. You can sympathize with blisters etc. We got into this as gamers do role playing games, and could soon laugh at those expressions like " I put my armour on and join the fight" , knowing this can take half an hour. Then again, if you keep it on you're on the road to exhaustion in the same period of time. People ask if we play characters or have scripts when doing a show. Not intentionally, but inevitably we end up being authentic by accident. We'd sit and bitch about the weather, compliment one another on our kit, ask how something was done, and who made that buckle. Then we'd reflect that the bastard with the black sallet always goes for the right leg, and speculate about tonight's roast and drinking session while reflecting about how pleasing to the eye a girl may look in that dress. The language is contemporary, we avoid the 'thee's and thou's' which is a trait I'm afraid is most used your side of the pond. (note from editor: i.e. Americans: we should keep in mind Elizabethan speech has not been invented yet!)   On the field in front of the public we're going to shout about poxes and curses rather than scream "Die ,Mother F#cker!" but you get the gist....

Again, forgive my inane banter and spelling ( except of course for ArmoUr!) (editors note: Armor is of tanks, Armour is of body protection) I hope this is of some interest. I found a surprising amount of knowledge amongst those I spoke to in the States, though I guess at an event you're going to attract the right sort. ....

Best regards, Edward.

Expanding our minds:

We can learn from European and U.K. re-enactors just in the fact that it is their history.  Re-enactors and Living Historians there have been researching and displaying for far longer than we in the United States here.

What can be learned:

First, it should be noted how they take valid shots in combat.  As Edward said, 

  • strikes to torso are valid

  • upper legs are valid

  • shots to the back should avoid the spine and kidneys, preferably being a healthy slap to the rump! 

  • pole arms are to torso only. 

  • NO HEAD SHOTS. 

  • With this system in place, a hit is a hit and who ever is best is left standing.

All-in-all, exercise caution.  It is not about getting a shot in and triumph is not about slaying an opponent.  Triumph is about being able to stave off your opponents' attacks, while being able to skillfully place a shot in on that opponent with no worries about causing injury or second-guesses.

Weaponry

Of pole-arms, das hellebarde:

Being the main function of the unit is that of trained halberdiers, the main focus of combat training shall be with the "hellebarten", the halberd.  The pole-arm user's front hand ( usually left) is on top of the pole not under. This is harder to hold, but it means the tip is a lot less likely to go up into a face. Against shields, aim for the lower half of the shield so it can't slide upwards.  

"ein Schwert tragen": to bear a sword,

To bear a sword in the 15th century Empire is a privilege, not a right.  Only Nobles are allowed to own a sword.  Those belonging to a militia are allowed to keep a sword, be it rented from the armoury.  To get around that, commoners carry what is called the "Grosse messer" or the "long knife", essentially a short sword with no regal fixings.  

Members of this Kompanie have the official doctrine of the Landgraf to keep, train and handle a sword.  However, members who are not Combat Officers must first acquire an appropriate pole-arm, such as a Halberd, before spending money on a secondary weapon such as a sword.  Members of this Kompanie are to train with the Kompanie Officers and Fechtmeister, training from appropriate edicts from the Fechtbuch.  We have a very good copy of Hans Talhoffers' edicts on the Fechtbuch that is our main source of educational material.  Official Kompanie meetings may fill the day with discussion, so special fighting practices will be either scheduled or impromptu.  Feel free to get a hold of a senior of the Kompanie and schedule a time to train.

Adams Wood & Metal has graciously donated wooden wasters for beginner level.  You may purchase a waster for $20.

Sparring with steel is only allowed after the Officers of the Kompanie deem you safe with the waster and appropriate to handle live steel.